I saw Matt Smith’s piece “Splintered” which he created with Meg Ullah. It impressed me with it’s simplicity and power. It’s mixture of the personal and impersonal and tempting failure. So I knew he would be a good subject for PoPA.
I returned a couple of days later. It had all disappeared, but you could tell where the flour had been, as there were patches, covered in snail trails.
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